Oct 31

My application packet is assembled and ready for delivery. I just had to say I was paralyzed with fear for the fear to vanish. I am free. Practically.



I was watching the Matrix Reloaded (the second one) yesterday when I was supposed to be writing my cover letter, and I felt very zen witnessing the sci-fi kung fu cgi mayhem. It’s a pleasure not to be virtual.



Where does passion live? It’s an endorphin, isn’t it? A rush to the brain, a blast of euphoria. Dustin Hoffman pounding on the sanctuary window. Juliet clutching a dagger. Mr. Darcy writing a letter. 



I’ve been thinking about Anne Elliot urging the reading of prose to regulate the temperament. But I like the idea of living too much poetry. Getting lyrical. Oded.

 

 

Oct 31

I am freaking myself out. When I was in elementary school, I decided to be a teacher—to teach History. That was the plan all the way into college, when I discovered that English Literature was significantly more compelling. My junior year I took this fiction/poetry team-teaching class. We had a fiction writer for the first half—a rugged guy who loved Hemingway, and for the poetry half—an earnest guy who wrote long, lush narratives. Literature stood on its head. I remember that. I remember sitting in class thinking: I can do more than analyze; I can create. And everything else fell away. 



I’d written stories and poems and articles from the time I was a child, but something about that class legitimized what I’d been doing. Made it feel less a hobby, and more a profession. I still finished with a B.A. in English, but I took more writing courses, and decided to get an M.F.A. 



The goal, naturally, was still to teach, but now I’d teach English and Creative Writing courses. My first year of graduate school, I taught English to advanced-placement seniors at North Central High School, and Composition to inmates at Airway Heights Correctional Facility. It was amazing. I had a buzz from it. The thrill of interacting with students, of being on the other side of language, of getting to be excited about the possibilities of diction and images and vehicle and syntax with groups of people who were suspicious of words and hated writing.



But I realized something else too. I’d never have a life if I taught. I’d be consumed with the passion of it. I’d pour everything into it, and be empty myself. I knew I’d never write if I taught.



When I graduated, I took a job as a technical writer. Later, I worked in an independent bookstore—closer to the life of an artist—impoverished and meaningful. By this time, I had a child and a book, and understood that passion requires balance, and that balance can be learned. I didn’t have to burn out like a flare. And this desire to teach climbed through me again.



I’m supposed to be working on my Curriculum Vitae for a teaching position at one of the local colleges, but I can’t make myself do it. I have the requisite documentation and my resume, and my desire, but I cannot get my confidence to cooperate. Why is this? Because I want it so badly, and the wanting has been sustaining me? Maybe. I don’t think there’s one clear answer here. But I do think that I’m pregnant with possibility, and there is power in pregnancy. Labor is inevitable, but can be forestalled, for a time.

Oct 20

The thing about art is that it has to be manic. The crest and trough heaving is necessary to be able to experience and capture and elucidate the joy and folly of living. When you find yourself surrounded by nurturing, intelligent women with educated opinions and firebrand ideals, you start to think you’ve only ever half-lived. And you’re right. 
So, P-Town was fantastic. Two readings, four signings, a wine & cheese mingle, a panel, and an improvised speech about how “The Price of Salt” — which I haven’t yet read — deserved to be voted the number one lesbian book of the previous century. I came in third to “Oranges Aren’t the Only Fruit” and the winner, “Curious Wine.” More importantly, we had a fucking blast, and an opportunity to discuss the struggle to publish worthwhile books in this country, and why it’s more important than ever to pursue meaning, particularly as meaning is frequently in direct opposition to commerce. 

The thing that got me, possibly more than anything else, was the writer Ruth Perkinson, and her efforts to make contacts with writers from other presses (in addition to bringing reinforcements to my second reading since I would be reading alone, and she wanted to insure I felt encouraged). Writers are solitary creatures for the most part, introverted and reluctant. When one of them draws us together, I find that wildly moving.

I’m to have my rewrite of my manuscript in to my editor by November 15th. I’m reinvigorated, and blissful. I’m on the crest, a wave that unfurls in a roaring rush, and promises never to break.

 

 

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